An introductory course in writing for cinema, emphasizing professional format, screenplay structure, building conflict, character and thematic development, and visual storytelling skills. Students will create the first act of an original screenplay.
The course offers instruction in basic film production, including fundamentals of digital and analog camera operation, basic editing principles, and an overview of lighting and sound. In-class equipment and crew workshops, assigned technical and creative exercises, individual off-campus film and video projects, in-class screening and critique of student work. Each student completes at least two individual projects.
Exploration of the distinctive qualities of documentary film and how visual rhetoric shapes sociopolitical landscapes. Learn about how the aesthetics and structure of documentary films affect considerations of ethics, point of view, and persuasion. Topics of study include the voice of documentary, documentary modes, the influence of social media, cultural and national representation in documentary, and digital technology in the context of nonfiction.
This course examines the international history of cinema from its late 19th century origins to the 1930s. The development of film technology, aesthetics, and genre are covered from 1880s France to the establishment of the Hollywood Studio System. Topics include early film technology, the development of Classic Hollywood style, French Impressionism, German Expressionism, Soviet Montage, early animation, the introduction of sound technology, and the establishment of the Hollywood studio system.
An introductory course that addresses the formal analysis of cinema. The course covers filmmaking techniques such as cinematography, editing, mise-en-scène, sound, lighting, acting, and narrative.
Building on CINE 54 Cinematography & Lighting, students will further develop their ability to translate theme, story, and emotion into motion picture imagery. Cinematography & lighting skills are refined via single-camera styled projects. Assignments focus on complex lighting design and camera movement as students employ advanced camera, lighting & grip equipment.
An overview of sound recording and design with a focus on hands-on, practical approaches. Sound recording techniques using a variety of microphones and audio recorders; sound editing and design using digital audio workstations to manipulate sync sound, dialogue, sound effects, music, and for sound mixing. Film screenings, lectures, demonstrations, and field trips.
Explore non-narrative filmmaking techniques stressing personal expression through individual production of short films in a historical context. Projects include utilization of a range of different experimental techniques and will reference films screened and discussed in class.
Introduction to digital film editing and post-production techniques using current industry standard, non-linear editing systems within the cinematic discipline. Editing skills are learned in the context of examining film form, style and aesthetics.
Development of the art and practice of cinematography and lighting in the execution of short, single-camera styled projects. Assignments focus on lens choice, motivated camera movement, color temperature & correction, 16mm and digital video camera operation, and lighting design. Students learn to work together as a crew as defined by industry standards.